The two Pesaro editions of Berakhot are dissimilar, and both wary from the incunabulum edition. Among the differences between the two Pesaro editions are that in the 1511 edition, the chapter names on the top of the pages are small, the Hadran at the end of a chapter is the same size as the text, and, in some cases, is not on a line separate from the beginning of the next chapter. The first word of a chapter is the same size as the remainder of the text and is only separated from the text by a space. In contrast, in the 1517 edition, a larger font is employed for the chapter headings, the Hadrans appear in large letters at the end of a page - the same size as the text in the middle of a page - and the first words of a new chapter are in large type on a separate line. Both editions lack foliation. Both Pesaro editions are typographically superior to the incunabulum Berakhot. Here, in contrast to the incunabula tractates, lines are not completed by the addition of letters from the following line.

Although current foliation does not follow the Soncino tractates but rather that of the later Bomberg Talmud, the Soncinos established the layout of the Talmudic page, with their inclusion and arrangement of Rashi and Tosafot. Since Gershom printed a majority of the treatises comprising a complete Talmud edition, he not only selected the Tosafot for the tractates that he printed, but also determined which Tosafot would be printed in future editions of the Talmud. E. E. Urbach, author of The Tosaphists (p. 29-30), notes that in general ''the Venetian printers copied from the Soncino editions. . . . Since then, the Tosafot have been printed in numerous printed editions of the Talmud without serious modification."