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Bidding Information
Lot #    19577
Auction End Date    1/8/2008 11:05:30 AM (mm/dd/yyyy)
          
Title Information
Title (English)    Early Zionism - Keren Kayemeth
Title (Hebrew)    פדיון טלגרצה קרן הקימת
Author    Joseph Budko, Illustrator
City    [Berlin]
Publisher    Keren Kayemeth
Publication Date    1920?
          
Collection Information
Independent Item    This listing is an independent item not part of any collection
          
Description Information
Physical
Description
   Single sheet, 200:220 mm., light age staining.
          
Detailed
Description
   Elaborate artistic telegram sent by the Keren Kayemeth and competed in hand in German. The telegram form has three ovals at the top, a small center one with the Hebrew word Zion and two others, one of a pioneer tilling the land, the other of a pious Jew at prayer. The ornate background is made up of entwined lines and grape clusters. The text box has been completed in handwritten German.

Keren Kayemeth is Hebrew for the Jewish National Fund, the land purchase and development fund of the Zionist Organization. It was founded on December 29, 1901 at the Fifth Zionist Congress at Basle, which resolved: "The JNF shall be the eternal possession of the Jewish people. Its funds shall not be used except for the purchase of lands in Palestine and Syria." The Hebrew name comes from the talmudic dictum about good deeds "the fruits of which a man enjoys in this world, while the capital abides (ha-keren kayyemet) for him in the world to come" (Pe'ah 1:1). A land fund was first suggested by Judah Alkalai in 1847. It was proposed by Hermann Schapira at the *Katowice Conference in 1884 and again at the First Zionist Congress in 1897. Schapira based his idea of public ownership of land on the biblical injunction "The land shall not be sold forever for the land is Mine," and on the institution of the Jubilee Year, which stipulates that all holdings which have changed hands revert to their original owners in the 50th year (Lev. 25:10, 23–24).

JNF leasehold contracts run for 49 years and can be prolonged by the lessee or his heirs as long as they serve the purpose specified; holdings may neither be united with other domains nor divided among several heirs; the lessee needs the lessor's consent if he wishes to use his holding for a purpose other than that stipulated in the contract; on rural tracts, the lessee must cultivate his own soil; ground rents are to be kept as low as possible, whether the land serves farming, industry, housing, or other purposes.

          
Paragraph 2    Joseph Budko (1888–1940), painter and graphic artist, was born in Plonsk, received a traditional Jewish education. In 1902 he went to study at the art school in Vilna. In 1910 Budko moved to Berlin where he learned metal-chasing and also studied at the Museum of Arts and Crafts. In Berlin Budko met Hermann Struck who taught him the technique of etching. Eventually he also took up woodcutting, lithography, and painting. In 1933 Budko settled in Palestine. In 1935 he became the director of the reopened New Bezalel school of arts and crafts. Budko stressed the teaching of graphic design and utilized the ornamental value of the Hebrew letters. Budko's subject matter was determined by the Jewish environment in which he grew up and to which he returned in Jerusalem. He illustrated books, among them the Haggadah, and designed many bookplates.
          
Reference
Description
   EJ
        
Associated Images
1 Image (Click thumbnail to view full size image):
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Listing Classification
Period
20th Century:    Checked
  
Location
Germany:    Checked
  
Subject
Other:    Zionism
  
Characteristic
Language:    Hebrew, German
  
Manuscript Type
  
Kind of Judaica
Drawings:    Checked